Following a terrible car crash, a woman (Christina Ricci) awakes to find an enigmatic mortician (Liam Neeson) preparing her for burial. Trapped inside the funeral home, with nobody to turn to except the man, she is forced to face her deepest fears and accept her own death.
15 September 1971, Baltimore, Maryland, USA
12 July 1997, New York, USA
2 June 1978, Fairfield, Connecticut, USA
14 February 1981, Yalta, Crimean Oblast, Ukrainian SSR, USSR [now Crimea, Ukraine]
15 December 1998, Houston, Texas, USA
30 September 1975, Cairo, Illinois, USA
12 February 1980, Santa Monica, California, USA
14 December 1951, Spartanburg, South Carolina, USA
6 March 1967, Atlanta, Georgia, USA
March 13, 1983 in Livingston, New Jersey, USA
1994, New York City, New York, USA
21 May 1928, Pawtucket, Rhode Island, USA
20 September 1931, New York City, New York, USA
April 04, 2011
You should just go see it for yourself. Unless you shouldn't.
July 06, 2010
A stylish piece of horror-movie hokum.
April 14, 2010
It's too dull for grown-ups and too nightmarish for children. It makes Nip/Tuck look like a Mel Brooks musical.
January 03, 2011
Thematic rigor mortis sets in long before the final reel.
April 14, 2010
Best of all is Neeson, who is nicely creepy. Whether he's genuinely gifted or knuckle-chewing insane, he's not the kind of guy you'd want to spend time with, either way.
September 07, 2010
takes its ambiguities all the way to the grave - and beyond.
August 12, 2010
makes you think too much about what it's doing, rather than what it's about, thus drawing you away from the deeper philosophical questions of life and death at its core
September 11, 2010
There is too much reliance on one character's word against another which leads the audience back and forth over the truth.
October 14, 2010
Despite the meandering pace, and lack of fearsome thrills, After.Life is a chilling fairytale that grabs you and takes you on a strangely hypnotic ride.
August 03, 2010
Born again Ricci haunts a mortuary, while perfecting post-mortem freaky in the nude. This may or may not be your cup of embalming fluid, whether intriguing those with unconventional viewing preferences, or seriously creeping you out.
July 17, 2010
It dresses up boilerplate horror in a classy shell, yet never gives it the pulse it needs.
April 09, 2010
Ms. Wojtowicz-Vosloo seems to have spent too much time trying to make an art-house chiller instead of an effective film.
