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Carnage Park
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Carnage Park

Description
Part crime caper gone awry, part survival horror film, this 1970s set thriller depicts a harrowing fight for survival when a psychotic sniper (Pat Healy) terrorizes a bank robber (James Landry Hébert) and his hostage (Ashley Bell) in the California desert.
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DIRECTORS OF "Carnage Park"
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CREATORS OF "Carnage Park"
Carnage Park
CRITICS OF "Carnage Park"
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Austin Chronicle
Resource

November 02, 2016

This is a breakneck thrill ride through American horror's greatest hits.
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indieWire
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July 07, 2016

Even at just 80 minutes, the story is stretched too thin.
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RogerEbert.com
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July 01, 2016

"Carnage Park" is an extremely empty experience.
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San Diego Reader
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July 08, 2016

A climax so dark you'll need braille subtitles to get through it.
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New York Times
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June 30, 2016

Mickey Keating takes the adage "less is more" to heart in his "Carnage Park," and it pays off pretty well.
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Slant Magazine
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June 27, 2016

The film covers The Texas Chainsaw Massacre by way of Rob Zombie, Quentin Tarantino, and Ti West.
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Collider
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February 23, 2016

Keating's work continues to improve, with Carnage Park suggesting that he's more than ready to tackle bigger and lengthier shoots - if he chooses.
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Film International
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July 21, 2016

Mickey Keating has chomped down on a big slab of 1970s grindhouse meat and spat out Carnage Park, a grizzled B-movie crime-gone-awry blue plate special.
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TheFrightFile.com
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October 24, 2016

"Carnage Park" is a solid, unsparing thriller, but its potential for greatness slips just out of grasp during its climactic stretch.
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Daily Dead
Resource

February 19, 2016

With a sense of swagger and an unflinching pace, Carnage Park is truly a cinematic triumph from top to bottom.
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Los Angeles Times
Resource

July 07, 2016

Equally inspired by Quentin Tarantino, the Coen brothers and the seediest of '70s drive-in exploitation, "Carnage Park" is a frequently repellent film that's nonetheless cleverly constructed.
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AV Club
Resource

June 30, 2016

Visually, it's well done, as is Gino Ostinelli's score (as opposed to the pop soundtrack, which can feel derivative). And Keating keeps the story tight, giving the audience enough twists and turns to keep the ride fun.
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