She was born in Detroit... on an automobile assembly line. But she is no ordinary automobile. She is a strange car with an evil mind of her own and when a nerdish boy buys her, his nature starts to change to reflect her.
31 January 1914, Blountstown, Florida, USA
13 October 1962, Honolulu, Hawaii, USA
25 March 1924, New Haven, Connecticut, USA
29 July 1963, New York City, New York, USA
13 December 1930, Philadelphia, Pennsylvania, USA
13 June 1919, Boston, Massachusetts, USA
1949, Brockton, Massachusetts, USA
13 February 1963, Snyder, Texas, USA
10 April 1936, Austin, Minnesota, USA
3 February 1961, New York City, New York, USA
15 August 1961, Chicago, Illinois, USA
December 6, 1939 in Springerville, Arizona, USA
25 May 1949, Lake County, Tennessee, USA
26 September 1930, Los Angeles County, California, USA
14 July 1926, West Irvine, Kentucky, USA
4 July 1945, Reinbeck, Iowa, USA
27 March 1942, Berkeley, California, USA
7 November 1962, Los Angeles, California, USA
2 December 1939, USA
6 March 1939, Weslaco, Texas, USA
21 September 1959
29 September 1956, Queens, New York, USA
25 March 1961, Galveston, Texas, USA
December 09, 2013
Christine shows us what great filmmakers can do with flawed material, and how even their greatness can't solve every problem.February 09, 2006
Off the page, a 1958 Plymouth is no more scary than the St Bernard which romped through Cujo.October 23, 2004
This is the kind of movie where you walk out with a silly grin, get in your car, and lay rubber halfway down the Eisenhower.September 24, 2007
This deja vu premise [from the novel by Stephen King] combined with the crazed vehicle format, makes Christine appear pretty shop-worn.May 20, 2003
Only a moderately engrossing film.November 16, 2009
Fifties fetishism here is not nostalgia but critique, the cultural residue that deforms consciousnessMay 06, 2008
Tight editing and some decent scares make this one of the better King adaptations.January 08, 2011
Slickly made dumb horror flick about a diabolical car and a nerd transformed into a lady killer.April 14, 2011
Proves Carpenter's mastery of both mood and the widescreen frame.September 24, 2007
Carpenter's thematic self-consciousness can't entirely overcome a shaky dramatic structure that sacrifices character logic to increasingly meaningless thrills.April 26, 2016
I love Carpenter, and I like Christine well enough, but I'm not as enthusiastic about it as I am about other King films.