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Cowboys and Aliens
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Cowboys and Aliens

Description
A spaceship arrives in Arizona, 1873, to take over the Earth, and the whole hard desert town of Absolution is emered in fear. It's up to an amnesiac stranger and local cowboys to save the town.
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Cowboys and Aliens
CRITICS OF "Cowboys and Aliens"
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Epoch Times
Resource

July 15, 2016

It's not common knowledge that aliens were in on the gold rush. Oh, yeah. That's why this story takes place in 1873. Aliens were panning for gold too, see, using advanced panning technology. Riiiight.
Gomovies
indieWire

August 04, 2011

As its title indicates, this is a strange cross of movie genres, and lest any viewers get antsy, it doesn't allow much time to pass before we first encounter UFOs in the Old West. The film takes its time unraveling the rest of the story...
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Slate
Resource

August 02, 2011

It's fun to think about what Cowboys & Aliens might have been if any creativity had crept past the title page.
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Time Out
Resource

August 17, 2011

What started as 'True Grit'-meets-'War of the Worlds' ends up closer to - whisper it - 'Wild Wild West'.
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New York Magazine/Vulture
Resource

July 31, 2011

Cowboys & Aliens is an agreeable time-killer, but I'll bet a couple of clever kids could make a livelier movie with a Woody puppet and a Predator doll.
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Big Hollywood
Resource

June 30, 2013

The film is driven more by its concept than by its plot but it's still a fun summer film.
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Tribune News Service
Resource

January 14, 2013

Expensive, a misfire, but perfectly servicable for what it is
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Philadelphia Weekly

May 03, 2015

Why is this gloriously schlocky premise treated with such ponderous solemnity?
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Critic's Notebook
Resource

October 07, 2015

The post-racial utopian vision is nice, but you'd hope it wouldn't take an alien invasion before we finally come to it.
Gomovies
ScreenRant
Resource

October 02, 2012

Delivers on the promise of an exciting genre mash-up but, even with a talented cast and revered team of writers, fails to weave a fulfilling story.
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New Yorker
Resource

August 08, 2011

Takes itself much too seriously, with acts of brutality outnumbering the gags.
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The Atlantic
Resource

July 29, 2011

[A] phenomenally successful two-man war against narrative clarity and continuity.
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