New boss of Tom Sander’s is his ex-lover; he struggles to get engulfed in her beauty as he is already happily married.
6 July 1943, Montréal, Québec, Canada
18 November 1933, Guangzhou, China
17 July 1935, Saint John, New Brunswick, Canada
16 November 1965, Henrico County, Richmond, Virginia, USA
13 November 1959, London, England, UK
3 November 1988, Los Angeles County, California, USA
20 September 1957, New York City, New York, USA
29 May 1958, Silver Spring, Maryland, USA
29 July 1959, Long Island, New York City, New York, USA
19 September 1931, Ellenville, New York, USA
25 September 1944, New Brunswick, New Jersey, USA
22 September 1921, San Antonio, Texas, USA
31 October 1985
31 May 1958, Manhattan, New York, USA
16 June 1950, Oceanside, California, USA
8 February 1926, The Bronx, New York, USA
12 February 1954, Los Angeles, California, USA
April 25, 2014
On the level of pure craft, Disclosure is first-rate in every department. Levinson's directing is cogent and colorful, and cinematography by camera wizard Tony Pierce-Roberts is dazzling.
April 25, 2014
The presence of Douglas, who has made a career of being pursued by beautiful, dangerous women, turns this sexual-harassment thriller into instant camp.
April 25, 2014
This witty, wily battle between genders is not so much about sexual harassment as it is about power politics in the workplace, where water-cooler gossip is replaced by E-mail, and where memo warfare is waged by combatants in virtual-reality goggles.
April 25, 2014
Pure and simple trash masquerading as significance.
April 25, 2014
For those who would question Crichton's motives, Levinson and Attanasio haven't let men off the hook.
April 25, 2014
It soars because of the sizzling chemistry of Douglas and Demi Moore.
April 25, 2014
Douglas makes for a sympathetic and wily hero.
April 25, 2014
Moore models some slinky lingerie and Douglas soaks his collars in sweat, while the emphasis on computer gizmos and cyber-babble encourages a verdict of virtual rubbish.
April 25, 2014
This is one of those big, sleek soulless movies that hums along, impressed with itself and the Big Issue it allegedly tackles... [but] what Disclosure really does best is appeal to your most prurient instincts.
March 29, 2012
...watchable yet far-from-engrossing...
April 25, 2014
Its preoccupation with snazzy computer-generated special effects has left key plot points so unclear at least one baffled viewer had to retreat to the book to find out why some things happened and others did not.
April 25, 2014
This is the least personal movie [Levinson has] made in years, and the script is more a shortening of Crichton's story than a dramatization.
