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During the birthday of his daughter, an unemployed father struggles against meeting his daughter and spending the whole day with her, but life has another opinion, as he faces many challenges through his way, such as the traffic jam, that leads him to leave his car in the street, till his argument with the shop owner.
28 August 1956, Minneapolis, Minnesota, USA
28 November 1955, Santa Monica, California, USA
3 November 1930, Topeka, Kansas, USA
11 February 1940, Detroit, Michigan, USA
5 February 1948, Hollywood, Los Angeles, California, USA
30 September 1950, Detroit, Michigan, USA
1 November 1958, Bronx, New York, USA
July 20, 1933 in New Jersey, USA
30 December 1932, Memphis, Tennessee, USA
21 April 1954, Bountiful, Utah, USA
1 January 1964, Midway City, California, USA
16 July 1969, Colombia
11 April 1929, Jersey City, New Jersey, USA
13 March 1965, Lafayette, Louisiana, USA
24 August 1949, New York City, New York, USA
25 September 1944, New Brunswick, New Jersey, USA
23 August 1961
13 November 1932, Steubenville, Ohio, USA
July 18, 2011
These adventures would be offensive if you could take them seriously, so it's probably good that you can't.
March 26, 2009
At first comes across like a mean-spirited black comedy and then snowballs into a reasonably powerful portrait of social alienation. The tone is unremittingly dour, however.
March 31, 2008
A real artist could make something incisive or darkly hilarious out of this moral tightrope act. Schumacher, veering recklessly between social satire, kick-ass fantasy and damsel-in-distress melodrama, plays the game for opportunistic cheap thrills.
July 18, 2011
None of the characters ever rises beyond the level of his or her generic functions, and by the end the overall emptiness of the conception becomes fully apparent.
January 26, 2006
Sometimes funny, sometimes touching, and certainly unnerving.
December 07, 2009
Atrociously written by actor Ebbe Roe Smith and atrociously directed (it goes without saying) by Joel Schumacher...
June 01, 2009
A heavy-handed potboiler, but as it raises the temperature, it does give cause to consider the line--so easily crossed--between social function and disasterous personal undoing. [Blu-ray]
January 10, 2010
The character of William Foster (simply called D-Fens in the closing credits) represents an element of our collective id.
July 18, 2011
What makes this an innovative film is Joel Schumacher's bold eschewing of the good-guy-verses-bad-guy Hollywood convention.
May 24, 2009
...holds up pretty well today, even if its tone meanders all over the place.
July 18, 2011
Let's face it, there is an element of truth in the character of D-FENS. But it is, finally, tabloid truth.
May 20, 2003
It turns one man's slide toward madness into a wickedly mischievous, entertaining suspense thriller.
