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Description
An expert in the art of special effects is hired to stage the murder of a gangster about to enter the Witness Protection Program. He agrees, but then things get complicated and he finds his own life in danger.
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DIRECTORS OF "F/X"
F/X
CRITICS OF "F/X"
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TV Guide
Resource

April 09, 2008

A competent and unpretentious entertainment.
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New York Times

May 20, 2003

The film is as much a demonstration of various kinds of special effects as it is about them.
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Chicago Sun-Times
Resource

January 01, 2000

The irony of F/X, which is a very good thriller indeed, is that it avoids the pitfall of so many thrillers; it doesn't degenerate into a mindless display of special effects.
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Variety
Resource

April 09, 2008

As contrived and plot-hole ridden as it is, F/X still works quite effectively as a crowd-pleasing popcorn picture.
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Combustible Celluloid
Resource

June 13, 2015

[A] first-rate thriller. Robert Mandel directs with a winning energy, never getting too slick, but remaining interested in the human angle.
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F5 (Wichita, KS)

March 10, 2004

A well-respected thriller; its coldness left me out.
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San Francisco Examiner

January 17, 2003

A fun, clever little thriller.
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FulvueDrive-in.com

February 17, 2006

A clever, lightning-paced thriller about a Tom Savini-style special effects artist who becomes a pawn in the scheme of some rogue government agents. A surprise modest hit in 1986.
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Dispatch-Tribune Newspapers

September 10, 2006

Fun cat and mouse mystery-adventure with fun special effects angle.
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Time Out
Resource

January 26, 2006

The action sequences are efficiently handled, but look elsewhere for psychological or emotional insight.
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Film4
Resource

April 09, 2008

It looks dated and shoddy now, never taking itself as seriously as the darker sequel.
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