The movie follows screenwriter living in Los Angeles who tries to make sense of the strange events occurring around him when he experiences an existential crisis after finding fame and fortune in Hollywood.
5 January 1969, Tallahassee, Florida, USA
28 June 1948, Khabarovsk, Khabarovskiy kray, RSFSR, USSR [now Russia]
21 November 1956, Paris, Tennessee, USA
22 May 1983, Baltimore, Maryland, USA
4 September 1978, Jonesboro, Arkansas, USA
13 December 1983, California, USA
11 June 1987, Orange County, California, USA
9 June 1981, Jerusalem, Israel
28 December 1982, Beverly Hills, California, USA
9 July 1938, Bridgeport, Connecticut, USA
21 December 1970, USA
21 January 1958, Toronto, Ontario, Canada
8 November 1981, Bristol, Connecticut, USA
26 June 1970, Joliet, Illinois, USA
28 December 1976, Pittsburgh, Pennsylvania, USA
6 February 1986, Allentown, Pennsylvania, USA
March 21, 2017
I just need a break from Malick.
March 18, 2016
This is all simply Malick being Malick - you're either on his wavelength or you're not.
March 11, 2016
Malick has moved from self-discovery to self-affirmation; he knows exactly what he's looking for, and Knight of Cups, for all its splendor, made me wish that he could take a swig and forget.
May 26, 2016
More of the same from Malick, but as thin as it is, this is a trick that still hasn't run its course.
March 11, 2016
Taken as a straightforward movie, "Knight of Cups" is an indecipherable mess. Taken as a piece of nonlinear visual poetry, "Knight of Cups" is still an indecipherable mess.
January 03, 2017
Knight of Cups is a film that feels it has something important to say - much like a twenty-year-old college student who has tried weed for the first time - but in reality, just like said college student, it is speaking nothing but gibberish.
January 02, 2017
Perhaps only Christopher Guest can pull off an entirely improvised movie. And perhaps Malick should return to scripts, full-volume voiceovers, and more linear storytelling if he doesn't want to Woody Allen himself and push away fans for good.
January 09, 2017
Using a mix of slow motion, montage, cameos, split screen and more, Malick examines modern day superficiality and the quest for meaning in a flawed yet well-crafted film.
February 04, 2017
A confusing, far-reaching and plotless personal Malick film.
March 30, 2016
There's nothing quite like a Malick movie. But once viewers have contemplated the mysteries of the universe itself, perhaps anything else will feel like a step down.
May 16, 2017
There's something insecure and almost frightened in the emulsion of the film; it seems to be making itself, finding its way in a dark room.
