Martin Riggs and Roger Murtaugh are put on a hit list by The Triads. When blood thirsty mercenaries are on their tail, they team up again with Leo Getz and Lorna Cole, a newcomer, to finally put an end to the Triads for good.
30 September 1952
31 January 1962, San Diego, California, USA
17 February 1945, New York City, New York, USA
1930
8 December 1948, Los Angeles, California, USA
19 March 1926, Chicago, Illinois, USA
30 March 1968, Vienna, Austria
9 February 1943, Newark, New Jersey, USA
1959, Hong Kong
17 February 1954, Burbank, California, USA
23 August 1941, USA
8 July 1952, Chicago, Illinois, USA
29 December 1936, Honolulu, Territory of Hawaii, USA
28 October 1957, San Jose, California, USA
31 July 1956, New York City, New York, USA
14 June 1951, Los Angeles, California, USA
August 12, 2012
If not for Jet Li, Lethal Weapon 4 would actually be worse than Lethal Weapon 3.
June 24, 2006
The climactic streetfighting clash between Mel and coldly charismatic martial arts star Jet Li is a bone-crunching classic.
June 18, 2002
One could argue about which Lethal Weapon is the best, but No. 4 is certainly the funniest, warmest and most idiosyncratic.
August 25, 2008
Mindless, sadistic violence juxtaposed with rote sentimentality: this is how Hollywood has finally solved the family-values conundrum, the question of how to entertain the blood- and sex-starved masses and be morally proactive at the same time.
April 12, 2002
The relationship/humour stuff in Lethal Weapon 4 is pretty much excruciating, mawkish and inane... The second part of Lethal Weapon 044,the action sequences, are much better.
August 25, 2008
Cynical and contemptuous of its audience, this lazy sequel oozes an insufferable air of self-satisfaction.
August 25, 2008
You're best advised to put your head in the sand and avoid all three sequels.
January 01, 2011
Hong Kong action plus buddy cop formula.
May 24, 2012
With 'Lethal Weapon 4' we find the silliest and most sentimental of the bunch.
August 25, 2008
It matters little that the film is rife with non sequiturs, nonsense and nihilistic violence, because its heroes are so darn buoyant and charming.
February 14, 2001
There's no plot worth describing, no repartee wittier than 'Oh shut up,' no acting moments that rise above the level of posing.
