A woman (Greta Gerwig) falls in love with a married man (Ethan Hawke). But one daughter and three years later, she is out of love and then devises a strategy to reunite him with his former wife (Julianne Moore).
6 November 1970, Austin, Texas, USA
7 June 1978, Tulsa, Oklahoma, USA
4 August 1983, Sacramento, California, USA
15 July 1979, nr. Echuca, Victoria, Australia
10 June 1983, Keelung, Taiwan
12 November 1943, New York City, New York, USA
27 July 1972, Gainesville, Florida, USA
3 December 1960, Fayetteville, North Carolina, USA
2 October 1962, St. Louis, Missouri, USA
12 November 1968, Portland, Oregon, USA
April 11, 2017
Maggie's Plan highlights Moore's comedic capabilities, which we unfortunately don't get to see very often. And Gerwig proves that her quirky attitude is not limited to one role but can change and morph to showcase her talents.
June 10, 2016
"Maggie's Plan" is Gerwig's show, and once again she proves to be one of the screen's most engaging presences.
June 09, 2016
Maggie's plan may or may not work out. But as a smart, perceptive commentary on modern times, "Maggie's Plan" succeeds beautifully.
July 04, 2016
The snow leopard of romcoms: intelligent and screwball-funny.
June 09, 2016
Something between Shakespeare, Woody Allen and Noah Baumbach, a cautionary tale filled with Manhattanite wit and small moments that have the ring of truth.
December 27, 2016
Director Miller's dialogue, concocted from a story by book publisher Karen Rinaldi, puts a sparkle in the mouths of everyone concerned.
January 03, 2017
An inoffensive and relaxed offbeat comedy with just enough heart to carry it through.
March 23, 2017
It's fun seeing characters recognize the terrible mistakes they've made in their romantic choices, and while Maggie's plan might not be the most realistic, it's one that makes complete sense within the world of these characters.
June 10, 2016
Miller's characters are complete, singular people, and her take is thoroughly female. She subverts the genre, and wakes it up.
June 09, 2016
The comedy is in the performances, not the scattershot storytelling.
