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The movie follows through with the life of Marie Antoinette, Her journey towards becoming Queen of France.
15 August 1933
25 October 1965, Neuilly-sur-Seine, Hauts-de-Seine, France
5 October 1962, Paris, France
1 May 1982, Belfast, Northern Ireland, UK
16 September 1964, Shaker Heights, Ohio, USA
September 27, 1982 in France
1947, Switzerland
23 April 1955, Perth, Western Australia, Australia
1958, London, England, UK
6 February 1931, Temple, Texas, USA
29 September 1975, UK
8 April 1948, Orléans, Loiret, France
7 January 1981, Paris, Ile-de-France, France
25 January 1989, USA
19 September 1964
November 07, 2012
This gauzy interpretation of the French icon as the life of a decadent paparazzi princess is Versailles via Vogue, a frivolous New Romantic confection in which history is less important than emotional veracity.
October 20, 2006
It's history written with truffles.
October 20, 2006
The director squanders a once-in-a-lifetime opportunity to film on the grounds and inside the Palace of Versailles. It's the trappings we get, in richly reproduced costumes and all-over gilt furniture, at the expense of any substance.
November 22, 2006
Stunningly original...The masterstroke of Marie Antoinette is how Coppola connects the social order to sexual servitude.
October 20, 2006
Little happens for much of Marie Antoinette, but Coppola is a visual storyteller, and with her first big canvas she creates a giddy world at Versailles in color and light.
December 17, 2007
A visually scrumptious version of France's iconic but ill-fated Austrian-born queen, Marie Antoinette.
July 14, 2007
Coppola successfully has made a period film that doesn't feel like a museum piece.
May 05, 2008
This could be the story of Paris Hilton if she were to be married off to an impotent French Prince instead of dating meatheads armed with camcorders.
April 24, 2009
With her third film, Sophia Coppola exhibits an annoying preference for style over substance.
October 25, 2006
It's very pretty and occasionally amusing but also dreadfully dull for long, long stretches.
October 20, 2006
Coppola's queen experiences no inner transformation or redemption because, in this telling, she's in no need of it. She's cool to begin with.

