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Gomovies

My Golden Days

Description
A middle-aged anthropologist (Mathieu Amalric) is preparing to leave Tajikistan, while reminiscing about family, school adventures, a student trip to the USSR and the love (Lou Roy-Lecollinet) of his life.
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HEROES OF "My Golden Days"
My Golden Days
CRITICS OF "My Golden Days"
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Laramie Movie Scope
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January 17, 2017

Lou Roy-Lecollinet, Mathieu Amalric and Quentin Dolmaire all give great performances in this emotional roller coaster of a movie. The story itself seems a bit disjointed at times, but it works well enough due to the strength of the main characters.
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New York Post
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April 08, 2016

Desplechin draws uniformly superb performances from his young cast, making the coming-of-age genre seem fresh and vital.
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Detroit News
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April 08, 2016

While the ghosts of teen romances past no doubt hover over many of us, after a while you might find yourself wanting to slap Paul Dedalus across the face.
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Arizona Republic
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April 14, 2016

The easiest way to describe "My Golden Days" is as a coming-of-age romance, but Arnaud Desplechin's film, with its memories and carefully nursed grudges and moments of heartbreak and betrayal, feels weightier than that.
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TheWrap
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April 07, 2016

...you don't need to see "My Sex Life" to enjoy "My Golden Days," which is wonderful by merit for several reasons, including young stars...
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Correcámara
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September 08, 2016

A film that gives us one of this year's most attractive love stories. [Full review in Spanish]
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Excelsior
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September 06, 2016

A film with a solid script and direction as well as good performances and an amazing soundtrack. [Full review in Spanish]
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Ozus' World Movie Reviews
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November 23, 2016

Clocking in at two hours was too long for it to hold my attention
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Antagony & Ecstasy
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December 06, 2016

The film is much, much more interesting in its first quarter or third than it ever is again.
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San Francisco Chronicle
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April 14, 2016

The details - some funny, some intensely painful - of Paul and Esther's relationship over the years have a cumulative power that isn't diminished by a few loose ends.
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El Universal
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February 21, 2017

A sensitive film of surprising changes of rhythm and tone that become constant, enriching in an arborescent way its sense but never modifying it. [Full review in Spanish]
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