Following the death of his neighbor Anna, Jesse began to investigate but it is not long after before he sense a new presence which threatens to take control of his body and subject it totally to its whims.
4 April 1976, San Diego, California, USA
12 March 1972, Medellin, Colombia
18 November 1993, Los Angeles, California, USA
26 August 1974, Long Island, New York, USA
20 October 1982, Texas, USA
7 July 2000
January 08, 2016
Hands down, The Marked Ones is absolutely relentless, creepy as hell and a ton of fun on the big screen- it totally surprised me and left me with my enthusiasm for the PA series renewed.
January 06, 2014
This fifth in the series further diminishes the promise of the 2007 original, replacing mystery and suspense with predictability and misogyny.
January 05, 2014
The novelty of "found footage" wore off almost immediately upon arrival, and yet the "style" persists, despite the fact (or maybe because of the fact) that it's tired and lazy.
January 08, 2014
The plot is a confusing, derivative mishmash of half-baked supernatural clichés, and the total absence of characterization makes it hard to care what happens.
January 03, 2014
Provides the familiar cheap thrills but with a salsa tang.
April 28, 2014
A great effort, but a sub-par horror film.
February 07, 2014
Overall, it's an unbalanced film, with several laugh out loud moments and thrilling action sequences, but it lacks the memorable scares required for this to rate any higher than an above average horror film.
May 20, 2014
The law of diminishing returns mean this is now an exercise repetition: the tricks have all lost their power to terrify and The Marked Ones is just a vaguely spooky shadow of its a former self.
April 23, 2015
This film is not scary, it's simply an exercise in waiting for a loud, ear piercing musical cue that forces us to be startled.
January 06, 2014
The leads are appealing but the best scares will be familiar to anyone who has seen the previous films - or, for that matter, the trailer.
June 21, 2016
The scares are effective and unsettling, and work better because they depend less on the Where's Waldo? compositions of the other sequels and more on character dynamics.
