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Play Misty For Me
CRITICS OF "Play Misty For Me"
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CinePassion
Resource

March 15, 2010

Clint Eastwood's first film as a director, and first investigation into the anxiety at the root of the Eastwood persona
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Chicago Reader
Resource

April 08, 2008

Clint Eastwood wisely chose a strong, simple thriller for his first film as a director, and the project is remarkable in its self-effacing dedication to getting the craft right.
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Time Out

February 09, 2006

A highly enjoyable thriller.
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TIME Magazine
Resource

August 30, 2009

Eastwood displays a vigorous talent for sequences of violence and tension. He has obviously seen Psycho and Repulsion more than once, but those are excellent texts and he has learned his lessons passing well.
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Chicago Sun-Times
Resource

October 23, 2004

There is no purpose to a suspense thriller, I suppose, except to involve us, scare us, to give us moments of vicarious terror. Play Misty for Me does that with an almost cruel efficiency.
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TV Guide
Resource

April 08, 2008

Much of the credit must go to Jessica Walter for her outstanding performance which somehow manages to be chilling while at the same time sympathetic.
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ColeSmithey.com

August 24, 2007

Eastwood's imperfect debut movie is a thiller full of personality and zest.
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Film4
Resource

April 08, 2008

The star chose to cut his teeth on this small-scale movie, and the result -- although inevitably dated by its terrible clothes and period ambience -- stands up well but only as good late night television viewing.
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Combustible Celluloid
Resource

July 30, 2009

Eastwood's camera is rarely misplaced, and he shows a talent for the thriller genre worthy of a comparison to Hitchcock.
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eFilmCritic.com
Resource

April 09, 2007

Clint's direction is sometimes shaky but usually assured, and he gets a bold performance from Jessica Walter.
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Variety
Resource

April 08, 2008

For that 80% of the film which constitutes the story, the structure and dialog create a mood of nervous terror which the other 20% nearly blows away.
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New York Times

May 21, 2003

I think the fault lies with Clint Eastwood the director, who has made too many easy decisions about events, about the management of atmosphere, about the treatment of performances.
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