At the age of seventy, after years of consolidating his empire, the Great Lord Hidetora Ichimonji decides to abdicate and divide his domain amongst his three sons, not knowng that the two corrupt ones will turn against him.
![Sanjuro [Sub: Eng]](https://static.gomovies.tube/img/movies/1xcc9zFJO9MSIjfKMaiUSubE5Ki8MNHjLwZ-I6JwUx-tLRN2RPLMVuNGslA7b6Kxab0UBV2jIqv-yqEsjo8qZHQvM5ZMneQcXm8w-pNLj-E.jpg)
![Yojimbo [Sub: Eng]](https://static.gomovies.tube/img/movies/T9xzy43ukDmBnSaR-PeTFSMogaSmjXecYBdzjI2KC49Oj74pA-_VwGV6ZWBa2SPHhWMLPWnE9DPFirUSDcuAYckTuXtB_CzOxLkxEoH3zKU.jpg)
20 January 1958, Kobe, Japan
3 June 1932, Kanagawa, Japan
17 November 1936, Shenyang, Occupied Manchuria
1 December 1947, Yamanashi, Japan
15 March 1920, Tokyo, Japan
14 February 1957, Tokyo, Japan
24 May 1929, Tokyo, Japan
14 February 1927, Tokyo, Japan
25 February 1927, Mie, Japan
13 December 1932, Tokyo, Japan
6 September 1955, Saitama, Japan
July 8, 1915 in Tokyo, Japan
5 April 1966, Tokyo, Japan
19 August 1910
1 January 1928, Tokyo, Japan
12 November 1963, Tokyo, Japan
15 April 1951, Tokyo, Japan
19 March 1955, Osaka, Japan
1947, Kamakura, Kanagawa, Japan
8 August 1952, Osaka, Japan
August 08, 2016
One can never be short of things to look at while Kurasawa's Ran is in the world.
February 23, 2016
Ran remains gripping because it depicts not only the long-ago past, but also our hellish present.
April 23, 2014
Ran is one of the cinema's greatest works, a film of true tragic vision.
March 29, 2016
Its true power is found in the small moments.
April 23, 2014
One of the supreme cinematic achievements of the last quarter-century.
April 05, 2016
Akira Kurosawa's Ran is virtually in a class of its own.
April 03, 2016
A magisterial achievement.
April 07, 2016
It's the intimacy of even the most gargantuan conflict that hits home in Kurosawa's masterful hands.
May 20, 2016
Ran is high classical tragedy several times over.
February 25, 2016
This is one of the year's major cinematic events. It's well worth leaving the house for, should that opportunity arise.
April 23, 2014
Less a director's return to form than an essay in solipsism and self-pity run amok.
