In an attempt to find out a serial killer that makes many horrible doings of hijacking dozens in a mysterious way, Graham, a former FBI agent, who enjoys with an ability of reading the minds of criminals, the thing that leads him to return to work for revealing the hidden truth.
17 December 1962, USA
23 October 1939, Billings, Montana, USA
1 May 1948, Santa Rosa, California, USA
20 July 1963, Syracuse, New York, USA
1 January 1938, Bayonne, New Jersey, USA
23 July 1967, Fairport, New York, USA
26 October 1954, Cleveland, Ohio, USA
14 November 1964, Queens, New York, USA
22 December 1962, Ipswich, Suffolk, England, UK
3 January 1989, Santa Barbara, California, USA
13 May 1939, Brooklyn, New York, USA
25 March 1960, Portland, Oregon, USA
13 May 1964, Philadelphia, Pennsylvania, USA
21 November 1942, New York City, New York, USA
15 May 1964, Los Angeles, California, USA
24 February 1958, New York City, New York, USA
30 January 1959, Norton, Ohio, USA
26 May 1969, Washington, District of Columbia, USA
10 May 1950, Alexandria, Virginia, USA
22 October 1948, Grand Rapids, Michigan, USA
7 December 1932, Detroit, Michigan, USA
December 28, 2010
Great, but too scary and violent for most teens.
October 07, 2002
Wonderful performances and some really chilling moments.
October 05, 2002
The beats are the same, but the eerie vibe has been lost in translation.
February 07, 2007
Frank Whaley and Philip Seymour Hoffman play minor characters so annoying they might as well wear T-shirts reading 'Eat My Brain.'
October 04, 2002
Everything's a little too familiar.
February 07, 2007
A decent enough entertainment that sticks closely to the novel.
December 06, 2005
Who would've guessed the guy who gave us Money Talks, Rush Hour and The Family Man had what it takes to realize a thriller as smartly effective as this?
February 17, 2007
The film oozes contempt for its audience, caring nothing for the characters or suspense and only craving money.
April 29, 2009
A surprisingly good and entertaining finisher...
January 15, 2005
Hopkins should know better than to lessen the impact of these performances with redundant encores.
February 09, 2006
Where Mann and Demme steered the hokum away from dull genre generalities, Ratner's point-and-film literalness churns out a thriller by rote, shorn of the psychological dogfighting that distinguished the first two films.
October 04, 2002
Elegant, dark, alluring, frightening, mesmerizing.
