Inspiration by the Fukushima Daiichi nuclear disaster and the 2011 Tōhoku earthquake and tsunami, the movie features a massive, gilled monster that emerges from the deep and begins tearing through Tokyo, leaving nothing but destruction in its wake.
1959, Saga City, Saga, Japan
12 May 1956, Yokohama, Japan
13 June 1978, Tokyo, Japan
5 April 1966, Tokyo, Japan
20 February 1959, Yachimata, Chiba Prefecture, Japan
24 December 1986, Tokyo, Japan
27 September 1951, Tokushima, Japan
16 March 1970, Iwaki, Fukushima, Japan
3 December 1965, Hyogo, Japan
10 July 1991, Chiba, Japan
2 June 1944, Aichi, Japan
1 January 1960, Shibuya, Tokyo, Japan
May 12, 1986 in Saitama, Japan
7 March 1977, Tokyo, Japan
8 June 1945, Yamaguchi, Japan
1962
27 August 1965, Fukui, Japan
22 May 1960, Ube, Yamaguchi, Japan
18 January 1963
4 March 1940, Shizuoka, Japan
3 November 1948, Ginza, Tokyo, Japan
February 25, 1964 in Kobe, Hyogo, Japan
March 03, 2017
Feels more like comprehensive news coverage instead of a monster movie with a linear storyline.
October 11, 2016
Takes a more realistic, nuts-and-bolts approach to the eternal question: How do you solve a problem like Godzilla?
October 11, 2016
Anno & Higuchi's vision of the character is thoughtful and clever without straying too far from the Godzilla formula established in films like the original 1954 Gojira.
October 13, 2016
As far as Godzilla movies go, this one is-just as Toho promised-a smashing return to form.
October 11, 2016
Godzilla ... lumbers through Tokyo in a far less natural way than the days when an actor in a rubber suit stomped on models.
January 23, 2017
A film that marks the comeback of an iconic creature, resulting in almost the opposite of what the American tradition considers a monster movie. It's more like a film about bureaucrats with a monster in the background. [Full review in Spanish]
January 18, 2017
A film that, besides good humor, has some curious political remarks about XXI century Japan that definitely must be highlighted. [Full review in Spanish]
January 25, 2017
A reboot that recovers the original spirit of the saga and applies it to the singular current context. Certainly it has several defects but what it offers definitely deserves our time. [Full review in Spanish]
February 26, 2017
Godzilla's strange and ever-changing nature goes some way to compensate for effects that are at times decidedly ropey, much as the relentless pace of the action and editing makes up for some very flat characterisation.
January 06, 2017
A very successful mix between show cinema and fiction television by Aaron Sorkin, which surprises and gives something new to the saga. [Full review in Spanish]
October 12, 2016
The King Of The Monsters roars back to life in his weirdest movie to date.
October 10, 2016
The film is at its best when it's in parody mode, though it keeps that card too close to the vest for much of its two-hour length.

