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Tennis pro Guy Haines chances to meet wealthy wastrel Bruno Anthony on a train. Bruno suggests that because they each want to 'get rid' of someone, they should 'exchange' murders, and that way neither will be caught.
13 September 1913, St. Louis, Missouri, USA
25 November 1916, Evanston, Illinois, USA
23 April 1894, Paris, France
11 January 1904, New York City, New York, USA
January 27, 1918 in Los Angeles, California, USA
14 December 1909, New York, USA
20 April 1913, Milwaukee, Wisconsin, USA
12 August 1883, West Pittston, Pennsylvania, USA
September 20, 1895 in New York City, New York, USA
July 14, 1892 in New York City, New York, USA
13 October 1918, Salt Lake City, Utah, USA
11 January 1877, Sydney, Australia
25 October 1886, Weedon Bec, Northamptonshire, England, UK
25 August 1896, New Haven, Connecticut, USA
6 November 1937, Baltimore, Maryland, USA
February 6, 1896 in New York City, New York, USA
7 October 1921, Hollywood, California, USA
May 6, 1878 in Liban, Russia
January 15, 1894 in Cresco, Iowa, USA
21 January 1921, Brockton, Massachusetts, USA
October 11, 1904 in Los Angeles, California, USA
April 16, 1882 in London, England, UK
13 March 1913, St. Paul, Minnesota, USA
5 November 1886, St. Louis, Missouri, USA
23 September 1904, Glencoe, Illinois, USA
28 July 1899, Beresford, South Dakota, USA
June 1, 1885 in Sydney, New South Wales, Australia
13 August 1899, Leytonstone, London, England, UK
14 December 1923, Los Angeles, California, USA
August 02, 2013
Rousing thriller with creative fairground scenes and much about technology.
February 09, 2006
Hitchcock erects a web of guilt around Granger, who 'agreed' to his wife's murder, a murder that suits him very well, and structures his film around a series of set pieces, ending with a paroxysm of violence on a circus carousel.
January 15, 2004
Hitchcock was above all the master of great visual set pieces, and there are several famous sequences in Strangers on a Train.
August 30, 2009
Winds up with a scene in which a merry-go-round goes wild, spins like a pin wheel, and crashes in a gaudy blaze of explosions that no earthly carrousel could touch off. The movie itself is the same way: implausible but intriguing and great fun to ride.
February 13, 2001
Given a good basis for a thriller in the Patricia Highsmith novel and a first-rate script, Hitchcock embroiders the plot into a gripping, palm-sweating piece of suspense.
January 02, 2011
Classic nail-biter is a must for thriller fans.
August 01, 2008
the work most necessary for a deeper appreciation of Hitchcock's late masterpieces.
May 05, 2012
Arguably one of Hitchcock's masterpieces, this intrguing film deals with all the autuer's issues, including the double motif, moral ambiguity, fine line between hero and villain.
April 30, 2013
With typical consummate verve, Hitch unfolds a story filled with twists, turns and dramatic contrasts.
February 17, 2008
Even more marvelous after a second viewing
February 04, 2008
Perhaps Strangers on a Train still hasn't yielded all its secrets.
January 01, 2000
...his basic premise of fear fired by menace is so thin and so utterly unconvincing that the story just does not stand.
