A businessman is caught up in a criminal conspiracy during his daily commute home.
27 December 1986, Madrid, Spain
3 July 1973, Norfolk, Virginia, USA
1968, Canada
31 January 1947, Washington, District of Columbia, USA
15 September 1961, Clapton, London, England, UK
31 October 1993, Georgetown, Guyana
July 16, 1987 in London, England, UK
January 18, 2018
It's formulaic and you can probably guess the ending, but it's a pacy, enjoyable thriller capable of laughing at itself.
January 12, 2018
The train is the most realistic performer here, but you could do a lot worse.
January 12, 2018
Jaume Collet-Serra has always exulted in details-it's what helps him stand out as an artist even though he mostly makes this kind of easily dismissed genre fare.
January 15, 2018
The set pieces and the cliché dialogue seem piled on randomly ...
January 12, 2018
[Liam] Neeson lands plenty of punches, but the movie works best when he's fighting shadows or fighting himself.
January 17, 2018
The first half of the film is better than the second - it sets up a recognizable character and lets him work through a moral quandary.
January 17, 2018
It doesn't overstay its welcome, it doesn;t overstep its boundaries with its plot. It just tries to be an entertaining movie with characters that you can get behind.
January 17, 2018
As relentless as its sixty five-year-old lead actor and eager to entertain, logic be damned.
January 17, 2018
It might be a flashy piece of entertainment, but it's not a stupid one.
January 17, 2018
Spanish helmer Collet-Serra keeps the action, twists and conspiracy coming thick and fast, while also throwing in some artful editing and genuine jumps.
January 12, 2018
If you don't think too hard about why Neeson gets brought in or how the baddies operate or what the point is, you may be able to enjoy yourself. At least until the final act, when the film goes off the rails. Like a train might do.
January 12, 2018
With Collet-Sera in the conductor's seat, and Neeson his increasingly eager attendant, the film stays on track.
