In 1951, Laura Brown, a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel 'Mrs. Dalloway'. Clarissa Vaughn, a modern woman living in present times is throwing a party for her friend Richard, a famous author dying of AIDS. These two stories are simultaneously linked to the work and life of Virginia Woolf, who's writing the novel mentioned before.
6 November 1952, Cincinnati, Ohio, USA
24 May 1965, Chicago, Illinois, USA
22 June 1949, Summit, New Jersey, USA
27 March 1957, London, England, UK
18 July 1951, Jacksonville, Texas, USA
19 February 1955, Athens, Georgia, USA
21 December 1979, Stratford-upon-Avon, Warwickshire, England, UK
28 November 1950, Tenafly, New Jersey, USA
20 June 1967, Honolulu, Hawaii, USA
6 March 1931, Los Angeles, California, USA
1 November 1972, Sydney, New South Wales, Australia
3 March 1958, Southport, Lancashire, England, UK
10 March 1947, Calgary, Alberta, Canada
16 June 1934, Clapton, London, England, UK
4 February 1950, Pluckley, Kent, England, UK
1994, New York City, New York, USA
3 October 1978, Manchester, England, UK
12 April 1979, Manhattan, New York City, New York, USA
16 June 1978, Manchester, England, UK
30 November 1993, London, England, UK
3 December 1960, Fayetteville, North Carolina, USA
19 November 1959, Dayton, Ohio, USA
February 25, 2015
The script, the score, the sets, the costumes, and the direction are all Oscar quality, and incredible performances from Kidman, Moore, Streep and Harris make The Hours seem like minutes.
August 07, 2004
A puzzling and forbidding strangeness.
January 17, 2003
The film actually improves on Cunningham's novel, thanks to gorgeous cinematography, a deft script by playwright David Hare ... a mournful, melodious but never intrusive score by Philip Glass and a superb cast.
February 11, 2008
David Hare's screen adaptation reduces Woolf and her art to a set of feminist stances and a few plot points, without reference to style or form.
January 17, 2003
A compelling, moving film that respects its audience and its source material.
February 01, 2009
More than just Oscar bait; it's a veritable Oscar bait and tackle shop.
September 16, 2006
The Hours totally engrosses me... It somehow deepens the [book's] themes to see the bodies, scrutinize the faces, smell the money, feel the flatness of the screen.
March 26, 2009
Daldry's screen version is well acted but too literal, failing to convey the complexity or the lyricism of Cunningham's seminal novel.
December 28, 2010
Smart, thoughtful movie for older teens and up.
December 06, 2005
The film's true star is its script.
June 24, 2006
A boldly realised, affecting work.
January 17, 2003
As stunning an acting showcase as you'll find.
