Shocked by finding out that Fantom, an evil man seeks to start another World War, as he begins to make problems with countries, as he has all the sources that can help him to win the war, Allan Quatermain, a loyal and powerful warrior struggles against capturing the evil Fantom and save security.
24 June 1955, Northampton, England, UK
28 February 1923, Púchov, Czechoslovakia [now Slovakia]
25 September 1966, Putney, London, England, UK
18 November 1970, Sydney, New South Wales, Australia
13 December 1969, Glasgow, Scotland, UK
1957, Hastings, East Sussex, England, UK
11 May 1975, Santa Cruz, California, USA
5 May 1960, Prague, Czechoslovakia [now Czech Republic]
25 August 1930, Edinburgh, Scotland, UK
24 October 1974, West Chester, Pennsylvania, USA
9 December 1994, Prague, Czech Republic
15 December 1972, Howth, County Dublin, Ireland
1964
1968, Enfield, Middlesex, England, UK
December 28, 2010
Enough deaths here for a more restrictive rating.July 16, 2003
Despite Sean Connery and some impressive 19th century gloom, this big-screen translation of Alan Moore's culty comic-book series falls to earth with an incoherent splat.July 15, 2003
Even if, per Wilde, all art is quite useless, it need not be quite as useless as this.April 26, 2007
A stiff.July 14, 2003
This film is odd, loud, unintentionally funny and quite awful.August 07, 2008
This grouping of extraordinary egos brushes against the personality flaws and clashes that initially make the film intriguing, but then the film slips into a special-effects extravaganza with a monstrous, rampaging Mr. Hyde headlining.July 14, 2007
Easily one of the worst films I've ever seen.October 18, 2008
Without a strong, juicy villain -- one that we love to hate -- the film lacks an important ingredient.April 29, 2009
A guilty pleasure from top to bottomMarch 01, 2007
So little of real consequence is at stake that you'll have plenty of time to notice how the names on not one but two tombstones are misspelled.February 09, 2006
... the effects and sets are marvellously fantastical and there are one or two neat comical allusions to the heroes' literary roots. But where's the excitement, the thrills, the tension, the style?July 11, 2003
This isn't a blend of modern and classic so much as a collision.