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The Look of Love

Description
The movie depicts the life of Paul Raymond, the controversial entrepreneur who builds a porn, entertainment and real estate empire that makes him the wealthiest man in Britain, but drugs doom his beloved daughter, Debbie. 
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Film Comment Magazine
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November 04, 2013

Coogan's own impersonation is precise, but the melancholy that finally engulfs Raymond is beyond him.
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Chicago Sun-Times
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July 12, 2013

Double-billing comic and tragic tones, the biopic "The Look of Love" follows a father and a daughter over three decades in London's swinging Soho.
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Chicago Reader
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July 11, 2013

Director Michael Winterbottom and screenwriter Matt Greenhalgh provide the essential outline of Raymond's story, but they're a little too preoccupied with its glitzy aspects.
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Boston Globe
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August 01, 2013

Frankly, the guy just isn't very interesting.
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Slate
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July 08, 2013

A puzzlingly misconceived biopic: a tasteful, subdued movie about a man who was as tasteless and unsubdued as they come.
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Salt Lake Tribune
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July 26, 2013

Coogan is adept at playing the cad, but Winterbottom gives him little else to do.
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Oregonian
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July 25, 2013

Coogan never comes close to disappearing into the character, leaving the whole movie teetering uneasily between campy naughtiness and empathetic character study.
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Boston Herald
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August 02, 2013

Steve Coogan's fourth collaboration with director Michael Winterbottom is a funny, visually inventive take on Britain's Hugh Hefner.
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Reel Film Reviews
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August 10, 2013

The Look of Love comes off as an extremely standard biopic that seems to have emerged directly from a template for such films...
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Willamette Week
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July 23, 2013

It's a case of "fourth time unlucky" for frequent collaborators Michael Winterbottom and Steve Coogan. Well, "uninspired" might be more accurate.
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Minneapolis Star Tribune
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July 18, 2013

Groovy period soundtrack aside, "The Look of Love" has almost nothing to say of any interest, importance or humor.
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Washington Post
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July 05, 2013

Coogan turns in a fine dramatic performance in a role that calls for as much actual acting as wisecracking.
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