Salvation is a movie set in the Far West of America in 1870s. An honest resident for revenge for his family, he is chased by a notorious gang who are outlaw. The chase begins…
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24 December 1977, Michigan, USA
22 April 1966, Seattle, Washington, USA
24 May 1966, Marseille, Bouches-du-Rhône, France
14 April 1973, England, UK
25 July 1967, Durban, South Africa
22 November 1965, Østerbro, Copenhagen, Denmark
14 November 1971
March1948, Kampala, Uganda
25 September 1963, Jakobsberg, Stockholms län, Sweden
September 21, 2016
It's dull. It's literally, if not metaphorically, bloodless.
March 19, 2015
Even when we know the familiar iconography and storytelling tropes of old American classics that are thundering toward us, it's great to see them again.
March 13, 2015
The Salvation is severe and bloody stuff.
April 24, 2015
In an untamed world where hypocrisy is loud and where no one can be trusted, salvation is one's own business and actions speak louder than words.
March 12, 2015
Surprises are few and far between in "The Salvation," but for Western fans looking for a fix, it'll do the trick.
February 26, 2016
There's little to really complain about, save a couple of instances of iffy scripting, but the overall sense of familiarity leaves the whole thing feeling not much more than efficiently done.
January 02, 2016
The movie as a whole is good, not great, but Mikkelsen elevates it, as does Morgan who plays one of the better frothing Western villains we've seen in awhile.
March 01, 2016
The Salvation is an enjoyable film, especially in terms of old-style genre filmmaking. It will certainly become a form of salvation itself, among the hordes of CGI blockbusters and senseless horror flicks that have taken over the theaters this summer.
May 12, 2016
The pace of the film is slow, tense and anxious, built upon a motivation for revenge between two antithetical men, who are united through a shared destructive ideology, cementing the absurdity of human ideals.
April 13, 2015
Lacks enough complexity to hold cliché at bay, and the CGI-heavy visuals are distracting.
March 09, 2017
It could be Danish filmmaker Kristian Levring's answer to the spaghetti western (this one shot in South Africa with American landscapes CGIed into the background) with a sensibility that echoes the savage frontier novels of Cormac McCarthy.
