Karol married and moved to Paris to live Dominique. However, their marriage did not last long. After divorce, Karol is forced to leave home and lives around the station. He returns to Poland but his heart can not forget Dominique.Let's follow him in this interesting movie
7 September 1953, Poznan, Wielkopolskie, Poland
3 August 1937, Rzeszów, Podkarpackie, Poland
13 February 1955, Pszczyna, Slaskie, Poland
20 August 1955, Lódz, Lódzkie, Poland
10 December 1968, Lódz, Lódzkie, Poland
28 February 1960, Warsaw, Mazowieckie, Poland
23 September 1939, Dabrowa Górnicza, Slaskie, Poland
22 November 1958, Warsaw, Mazowieckie, Poland
18 April 1947, Kraków, Malopolskie, Poland
1963, Poland
18 November 1967, Warsaw, Mazowieckie, Poland
26 May 1967, Nowy Targ, Malopolskie, Poland
5 January 1930, Milanówek, Mazowieckie, Poland
26 April 1967, Kalisz, Wielkopolskie, Poland
21 March 1956, Warsaw, Mazowieckie, Poland
17 July 1961, Brzeziny, Lódzkie, Poland
7 November 1955, Wegorzewo, Warminsko-Mazurskie, Poland
23 April 1953, Lipno, Kujawsko-Pomorskie, Poland
21 March 1951, Chelmno, Kujawsko-Pomorskie, Poland
17 November 1913, Lódz, Poland, Russian Empire [now Lódz, Lódzkie, Poland]
26 March 1964, Szczecin, Zachodniopomorskie, Poland
16 November 1950, Kraków, Malopolskie, Poland
9 March 1964, Paris, France
28 May 1952, Kwidzyn, Pomorskie, Poland
13 June 1962, Niewiadów, Lódzkie, Poland
January 13, 2017
[T]his is the comedy of the trilogy, not so much a black comedy as a wicked satire in the cold white light of Polish winter, which (as you would expect) informs the color palette of this film.
February 09, 2006
It's often cruel, of course, and cool as an ice-pick, but it's still endowed with enough unsentimental humanity to end with a touching, lyrical admission of the power of love. Essential viewing.
August 30, 2004
How could the creator of Blue, the story of a woman who grieves by moping around Paris in a chichi haircut, possibly have followed it with such a rich, light-handed marvel?
August 09, 2012
he love that figures centrally in White appears more as a postulate than as a realized fact. To achieve something more durable and persuasive, real characters are required, not allegorical stick figures.
June 12, 2002
Kieslowski, who so keenly satirized the crippling excesses of communism in his earlier work, unflinchingly has a go at training-wheels capitalism, but not without affection for the thawing tundra of his beleaguered mother country.
August 09, 2012
The least favourite of the trilogy, this is also arguably the most accessible.
August 09, 2012
Kieslowski's film is one of the great film comedies. Sure, it's the light relief of the Three Colours trilogy, but its sharp observations about human nature are every bit as telling.
August 09, 2012
A bleak but ultimately hopeful comedy which, if it hadn't got to be called White, might very well be dubbed Black.
September 05, 2013
As probing and meaningful as any arthouse hit of the '90s, lacking only the drama and mystical qualities of Blue and Red to overtly flag itself as such.
December 31, 2011
Karol Karol embodies his homeland, going for broke--in criminal fashion, if necessary--to stake its claim as a player in the European landscape. [Blu-ray]
March 26, 2009
The entertaining second seg of Krzysztof Kieslowski's Three Colors trilogy is involving, bittersweet and droll.
January 01, 2000
White is the anti- comedy, in between the anti- tragedy and the anti- romance.
