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Who's Afraid of Virginia Woolf
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Who's Afraid of Virginia Woolf

Description
History professor George and his boozy wife, Martha, return late one Saturday night from a cocktail party at the home of the college president, Martha's father. With the help of alcohol, they use a young couple to fuel anguish and emotional pain towards each other.
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CRITICS OF "Who's Afraid of Virginia Woolf"
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Common Sense Media
Resource

November 01, 2016

'60s drama about dysfunctional marriage has drinking, sex.
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Hollywood Reporter
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November 20, 2014

The greatest credit for the implacable engagement that the film creates for its audience must go to the director, Mike Nichols. Nichols makes a stunning film bow with Virginia Woolf.
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Chicago Reader
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June 28, 2007

When Nichols finally settles down, it's almost too late.
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New York Daily News
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March 10, 2015

[Taylor] is nothing less than brilliant as the shrewish, slovenly. blasphemous, frustrated, slightly wacky, alcoholic wife of a meek, unambitious assistant professor of history at a university, over which her father reigns as president.
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Time Out
Resource

February 11, 2006

Edward Albee's vitriolic stage portrayal of domestic blisslessness translated grainily and effectively to the screen.
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Eye for Film
Resource

February 22, 2016

Taylor has the capacity to be dowdy yet glamorous, crude yet sensual at the same time. This is a career best performance for her.
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Radio Times
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March 10, 2015

Should your front room be in need of redecoration, then Elizabeth Taylor's performance here is guaranteed to strip the paint off the walls with just one verbal volley.
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Creative Loafing
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May 14, 2016

It's one of the Academy's black marks that Burton didn't win the Best Actor Oscar for his remarkable, career-capping performance.
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LarsenOnFilm
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September 19, 2016

I could watch Elizabeth Taylor and Richard Burton do this for hours.
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Village Voice
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March 10, 2015

Nichols has actually committed all the classic errors of the sophisticated stage director let loose on the unsophisticated movies. For starters, he has underestimated the power of the spoken word in his search for visual pyrotechnics.
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New York Times

May 21, 2003

One of the most scathingly honest American films ever made.
Who's Afraid of Virginia Woolf
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