In a story that looks more dramatic and exciting, we follow a series of powerful scenes of four thieves: Harry, Carlos, Florik, and Jimi, who carried out an armed robbery but were all killed. Hare's widow begins a life threatened by a man named Jamal Manning, from whom Harry and his partners stole $ 2 million, where the man wants his money to fund his election campaign for a South Side County councilor. Veronica may cooperate with other widows to confront them.
30 June 1974, Milwaukee, Wisconsin, USA
12 May 1985, Akron, Ohio, USA
13 October 1964, Chicago, Illinois, USA
20 September 1976, Washington, District of Columbia, USA
25 February 1981, Guadalajara, Jalisco, Mexico
September 27, 1998 in Los Angeles, California, USA
1989, London, England, UK
December 07, 2018
Less acrid and confrontational than his past work, Widows finds McQueen working in the kind of broadly populist filmmaking spectrum as someone like Michael Mann[.]
November 19, 2018
The movie tosses back at viewers a variety of casual exasperations-inchoate, flip, and manipulable-that flatten and simplify the very ills and grievances that it dramatizes.
November 18, 2018
It's not clear exactly what kind of movie(s) Widows wants to be: feminist heist thriller? Sprawling political saga? Bare-knuckled gangster noir?
November 30, 2018
It's the dashing camerawork and broad historical awareness of Widows that makes it a truly sophisticated action film, and by far the best crime movie of 2018 so far.
November 16, 2018
A gritty romp that makes the cliché-prone heist genre feel fresh again.
December 06, 2018
It is an exercise in style and genre that provokes emotion and maintains attention, but still maintains itself in form. [Full Review in Spanish]
December 06, 2018
WIDOWS blends the aesthetics of a prestige with the escapist qualities of action, and the film never feels cheapened by either.
December 06, 2018
On issues of race, politics, gentrification, gender roles, and relationships, it seems to have plenty to say. More often than not, it says it smartly and without bashing you over the head with its ideas.
December 06, 2018
Very much in the style of Lumet and Pollack, with a dash of Michael Mann's Heat, the film swings big and mainly connects; it excels in characterizations, and only stumbles when confronted with straight-up genre elements.
December 05, 2018
This is a smarter breed of a crime movie.
November 28, 2018
It offers everything adults used to love about cinema.
November 16, 2018
Enough quality action and surprises to keep it interesting.
