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Widows
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Widows

Description
In a story that looks more dramatic and exciting, we follow a series of powerful scenes of four thieves: Harry, Carlos, Florik, and Jimi, who carried out an armed robbery but were all killed. Hare's widow begins a life threatened by a man named Jamal Manning, from whom Harry and his partners stole $ 2 million, where the man wants his money to fund his election campaign for a South Side County councilor. Veronica may cooperate with other widows to confront them.
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Widows
CRITICS OF "Widows"
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Vanyaland
Resource

December 07, 2018

Less acrid and confrontational than his past work, Widows finds McQueen working in the kind of broadly populist filmmaking spectrum as someone like Michael Mann[.]
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New Yorker
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November 19, 2018

The movie tosses back at viewers a variety of casual exasperations-inchoate, flip, and manipulable-that flatten and simplify the very ills and grievances that it dramatizes.
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Entertainment Weekly
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November 18, 2018

It's not clear exactly what kind of movie(s) Widows wants to be: feminist heist thriller? Sprawling political saga? Bare-knuckled gangster noir?
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The New Republic
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November 30, 2018

It's the dashing camerawork and broad historical awareness of Widows that makes it a truly sophisticated action film, and by far the best crime movie of 2018 so far.
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New York Post
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November 16, 2018

A gritty romp that makes the cliché-prone heist genre feel fresh again.
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Cinexcepción
Resource

December 06, 2018

It is an exercise in style and genre that provokes emotion and maintains attention, but still maintains itself in form. [Full Review in Spanish]
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Fresh Fiction
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December 06, 2018

WIDOWS blends the aesthetics of a prestige with the escapist qualities of action, and the film never feels cheapened by either.
Gomovies
Comicsverse
Resource

December 06, 2018

On issues of race, politics, gentrification, gender roles, and relationships, it seems to have plenty to say. More often than not, it says it smartly and without bashing you over the head with its ideas.
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ABC Radio (Australia)
Resource

December 06, 2018

Very much in the style of Lumet and Pollack, with a dash of Michael Mann's Heat, the film swings big and mainly connects; it excels in characterizations, and only stumbles when confronted with straight-up genre elements.
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The New Paper (Singapore)
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December 05, 2018

This is a smarter breed of a crime movie.
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Observer
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November 28, 2018

It offers everything adults used to love about cinema.
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San Diego Reader
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November 16, 2018

Enough quality action and surprises to keep it interesting.
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