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ACTORS OF "Black Hollywood: They've Gotta Have Us - Season 1"
Earl Cameron
Earl Cameron

8 August 1917, Pembroke, Bermuda

Will.i.am
Will.i.am

15 March 1975, Los Angeles, California, USA

Carmen Ejogo
Carmen Ejogo

22 October 1973, Kensington, London, England, UK

Debbie Allen
Debbie Allen

16 January 1950, Houston, Texas, USA

Susan Wokoma
Susan Wokoma

31 December 1987, London, England, UK

Menelik Shabazz
Menelik Shabazz

1954 in Barbados

LilRel Howery
LilRel Howery

Boots Riley
Boots Riley

April1971, Chicago, Illinois, USA

Kasi Lemmons
Kasi Lemmons

24 February 1961, St. Louis, Missouri, USA

David Harewood
David Harewood

8 December 1965, Birmingham, England, UK

Nathalie Emmanuel
Nathalie Emmanuel

2 March 1989, Southend-on-Sea, Essex, England, UK

Robert Townsend
Robert Townsend

6 February 1957, Chicago, Illinois, USA

David Gyasi
David Gyasi

2 January 1980, Hammersmith, London, England, UK

Harry Belafonte
Harry Belafonte

1 March 1927, New York City, New York, USA

Diahann Carroll
Diahann Carroll

17 July 1935, The Bronx, New York City, New York, USA

Jussie Smollett
Jussie Smollett

21 June 1983, Santa Rosa, California, USA

Delroy Lindo
Delroy Lindo

18 November 1952, Eltham, London, England, UK

Simon Frederick
Simon Frederick

Don Cheadle
Don Cheadle

29 November 1964, Kansas City, Missouri, USA

Adewale Akinnuoye-Agbaje
Adewale Akinnuoye-Agbaje

22 August 1967, Islington, London, England, UK

Taylor Hackford
Taylor Hackford

31 December 1944, Santa Barbara, California, USA

Laurence Fishburne
Laurence Fishburne

30 July 1961, Augusta, Georgia, USA

David Oyelowo
David Oyelowo

1 April 1976, Oxford, England, UK

Cuba Gooding Jr.
Cuba Gooding Jr.

2 January 1968, The Bronx, New York City, New York, USA

John Singleton
John Singleton

6 January 1968, Los Angeles, California, USA

Barry Jenkins
Barry Jenkins

19 November 1979, Miami, Florida, USA

Brian White
Brian White

21 April 1975, Boston, Massachusetts, USA

Ruth E. Carter
Ruth E. Carter

10 April 1960, Springfield, Massachusetts, USA

Femi Oguns
Femi Oguns

Jill Scott
Jill Scott

4 April 1972, Philadelphia, Pennsylvania, USA

Show More
Black Hollywood: They've Gotta Have Us - Season 1
CRITICS OF "Black Hollywood: They've Gotta Have Us - Season 1"
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Common Sense Media
Resource

March 27, 2020

Powerful, sensitive, and fascinating, this docuseries focuses on a serious, important topic, but its talking-head interviews are so lively and fresh that it's a joy to watch instead of ponderous.
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Salon.com
Resource

February 06, 2020

In touching on many topics but only substantively granting insights into a few of them, the finished product comes across as unfocused and incomplete.
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AV Club
Resource

February 05, 2020

Black filmmakers have been making these points for decades, and the success of Black art shouldn't be equated to how profitable or relatable it is to white audiences. [It] often fails to tell what feels like an entire story because of this limited focus.
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RogerEbert.com
Resource

February 04, 2020

Frederick fashions a collage of Blackness never before seen on either side of the pond.
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CNN.com
Resource

February 05, 2020

As a documentary about black history in movies reminds us, the Oscars provide only one of the more visible and symbolic manifestations of where and how progress needs to be made.
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Film Threat
Resource

February 13, 2020

They've Gotta Have Us ultimately succeeds in reiterating the artistry and colossal influence of Black Cinema.
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AARP Movies for Grownups
Resource

February 06, 2020

They've Gotta Have Us shows exhilaratingly that a growing number of black filmmakers are moving us in the right direction.
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The Fog of Truth
Resource

March 05, 2020

I'm really glad that this series exists, because ... it tells an important, often unknown history of the movies.
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Radio Times
Resource

March 27, 2020

This series makes you want to seek out so many great films again - or for the first time.
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TIME Magazine
Resource

February 28, 2020

This isn't a simple story, but it's a crucial and lively one, made all the more relevant by the current renaissance in black filmmaking.
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Daily Telegraph (UK)
Resource

October 16, 2018

The rush to reach the modern era meant significant, unfortunate omissions - perhaps Paul Robeson proved too complex a character to crowbar into the scattershot narrative - but the narrators were still inspiring, their stories indubitably worth hearing.
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