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The Stepfather (1987)

Description
In every winter, police have a case of the same details: they are unhappy families, mothers provide children, children’s stepfather’s name is David. But police can’t find even a photo of him. Michael, a student coming home from school suddenly finds his mother with a suspicious man. Is him David?
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Antagony & Ecstasy
Resource

June 21, 2012

That's really all the movie needs to work: a sublime villain, with tight, driven direction, perfectly sturdy, effective writing, and a heroine who we can believe in.
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New York Times

August 30, 2004

Too often disappointingly thin.
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Chicago Reader
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January 01, 2000

The styling is never less than assured, and [director] Ruben knows how to put bland, unruffled surfaces to sinister Hitchcockian uses.
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Variety
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September 24, 2007

An engrossing suspense thriller that refreshingly doesn't cheat the audience in terms of valid clues and plot twists.
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Chicago Sun-Times
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January 01, 2000

While I was watching the film, I was distracted by elements of the Idiot Plot Syndrome -- moments when only an idiot would have made such obvious mistakes.
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Reel Film Reviews
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November 25, 2009

...ultimately manages to overcome its almost aggressively uneven atmosphere to establish itself as a solid little '80s thriller.
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Dread Central
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October 16, 2009

The Stepfather is the full package: fast-paced, well-acted, suspenseful and brimming with bursts of nasty violence.
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Commercial Appeal (Memphis, TN)
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February 11, 2011

The Stepfather works for American Eagle Realty, and the company logo pegs him as both a patriot and a predator. 'It's like living with Ward Cleaver,' his stepdaughter complains, not knowing that the 'cleaver' reference could be another pun...
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7M Pictures
Resource

June 27, 2011

The key to this movie is O'Quinn as the title character. He's a scary bastard, and as an actor he commits to the role.
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Lessons of Darkness
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January 15, 2008

Ruben's surprisingly resonant and durable tale ... cannily reflects, in a larger way, the era of its creation
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Time Out
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June 24, 2006

One is left longing for Hitchcock's dark, daring wit and disturbingly amoral insights.
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Washington Post
Resource

January 01, 2000

May be the best movie about the breakup of a family since Shoot the Moon.
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