Michael receives a warm welcome when he comes back home from school. He confront his mother's boyfriend and they live together. It is not long, however, he uncovers a secret which makes everything become chaos.
20 January 1951, Texas, USA
16 December 1961, Princeton, New Jersey, USA
1 November 1986, Baltimore, Maryland, USA
22 April 1986, Austin, Texas, USA
30 November 1971, Montréal, Québec, Canada
13 May 1967, New York City, New York, USA
17 November 1963, Los Angeles, California, USA
24 June 1967, Colorado Springs, Colorado, USA
27 January 1996, Warren, Ohio, USA
25 April 1970, Kansas City, Missouri, USA
30 June 1962, Abilene, Texas, USA
4 February 1964, Chicago, Illinois, USA
11 December 1942, New York City, New York, USA
14 April 1994
11 July 1956, Meridian, Mississippi, USA
17 May 1965, Springfield, Massachusetts, USA
February 15, 2013
What a shame that the remake fell into the unwieldy hands of the same jokers responsible for last year's execrable Prom Night redo.
October 19, 2009
That last stormy night of violence should be the shocker. Giving away his ruthlessness in earlier killings robs the movie of it its payoff as it saps the climax of much of its power.
October 18, 2009
This perfunctory retread had a tame, made-for-TV feel, and not just because the humdrum cast is composed of network and cable B-listers.
December 11, 2009
Not so much a contemporary re-make of Joseph Ruben's 1987 psychological thriller as a lobotomised bastard step-child: over-plotted, over-long, and stripped of the original's sharp, satirical subversion of suburban family values.
October 18, 2009
This remake turns a fondly remembered horror/thriller into a mild and tedious suspense film.
February 15, 2010
Any subtlety or implicit social satire to be found in Joseph Ruben's original went out with the last neighborhood trash pickup. Too bad the service was canceled before it could haul away this waste-of-time remake. [Blu-ray]
December 11, 2009
There's mayhem all over the place and not a policeman, or much logic, in sight. Watchable nonsense, with performances better than the story deserves.
August 12, 2010
The genre has diverged into two paths: the brutally gruesome and the suspenseful. This is going for the latter, which would have been fine if it were in fact thrilling.
December 19, 2010
Horror remake has more tension than blood.
December 11, 2009
Cliché-ridden and full of plot-holes.
October 22, 2009
The Stepfather is, finally, only as good as its stepfather -- and Dylan Walsh ain't bad.
October 18, 2009
Even by horror-remake standards, The Stepfather sets the bar for pointlessness.
