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The series follows Andy Herrera a confident firefighter who is also the daughter of a formidable head of the firehouse. It shows episode of heroics of the Seattle Fire Department at Station 19.
10 October 1961, Charlottesville, Virginia, USA
12 March 1972, Medellin, Colombia
5 August 1965, New York City, New York, USA
6 March 1970, San Diego, California, USA
1980, Chicago, Illinois, USA
31 July 1953, Buffalo, New York, USA
31 May 1943, Los Angeles, California, USA
21 May 1972, Melbourne, Victoria, Australia
6 December 1948, Houston, Texas, USA
5 October 1948, Brooklyn, New York, USA
1976, Virginia, USA
6 November 1971, Dearborn, Michigan, USA
February 5, 1977 in Fullerton, California, USA
15 April 1952, New Jersey, USA
March 22, 2018
The new drama dials down the heightened emotions and quicksilver banter that are hallmarks of the Rhimes brand for a sturdier, subtler story.
March 22, 2018
Andy is supposed to contain so many aspects of ideal womanhood, she ultimately doesn't embody any of them.
March 21, 2018
Station 19 may not set your viewing world on fire, but I bet you'll be glad you watched.
March 19, 2018
Straight off the Shondaland assembly line, "19" has a good lead, lots of energy, but not all that much else - especially an original concept.
March 20, 2018
Before the episode ends, there's also an escape so eye-popping and literally explosive, I haven't stopped thinking about it for nearly a week. "Stuck" is a lot in exactly the way you want your Thursday night Shonda Rhimes-produced soaps to be.
March 21, 2018
Station is more a cheap facsimile of what made Grey's tick than a successful spinoff. It tries to ignite something new for the Grey's world, but just ends up flaming out.
March 22, 2018
Like other Rhimes productions, the show is very much a work of capital-T Television, a turbocharged melodrama in which twists and surprises transpire with comforting predictability.
March 16, 2018
It's all kind of convoluted, but convoluted is what Shondaland does best, so I wouldn't bet against it.
March 16, 2018
The whole enterprise feels so similar to Grey's -- co-workers as family, love triangle, heroics on the job -- as to be unessential, which programming in the Peak TV era cannot afford to be.
